HomeMy WebLinkAbout03-09-04 packet....
TO: City of Saratoga; Heritage Preservation Commission
FROM. City of Saratoga, Public Safety Commission
SUBJECT: Proposal to Modify Roadway Configuration at the Intersection of
Herriman Avenue and Saratoga Avenue
In response to multiple safety. related :complaints from .Saratoga residents; the.Public
SafetyCommission performed a.review of the intersection. at Herriman>Avenue and . .
Saratoga Avenue. Sp ecifically,.the concerns expressed to the Public Safety Commission
related to the absence of safe location from which.pedestrians.wishing.to cross Saratoga ,
Avenue from Herriman Avenue may approach the intersection to observe oncoming
traffic. Additionally, concerns Were expressed that the current location of the (stop) limit
line for vehicles approaching Saratoga Avenue from Herriman Avenue prevented drivers
from adequately seeing oncoming traffic (due to limited line of sight).
In its review, the Public Safety Commission performed site visits to the location,
analyzed traffic accident data for the intersection and requested evaluative input by the
City Traffic Engineer. In conclusion, the Public Safety Commission found that the
current configuration of the intersection at Herriman Avenue and Saratoga Avenue did
represent a significant traffic and pedestrian safety concern.
To address this public safety issue, the Public Safety Commission recommended that the
curbing on North -west corner of Herriman Avenue and-Saratoga Avenue be. modified
(extended) in order to: A) provide a protected area for pedestrians to observe traffic
before crossing the street, and B) relocate the Herriman Avenue (stop) limit.line further
(east) toward Saratoga Avenue to allow for better visibility to oncoming traffic on
Saratoga Avenue. A preliminary diagram of the proposed change is attached for your
perusal.
It is important to note that the selected design incorporated both safety functionality as
well as aesthetics. It is the Public Safety Commission's belief that the proposed
modification is in the best interest of the City. Please feel free to contact the Public
Safety Commission if you have any questions or concerns. Thank you for your
consideration and support on this important issue.
Sincerely, .
City of Saratoga Public Safety Commission
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PROPOSED SARATOGA/HERRIMAN INTERSECTION MODIFICATION.
SCALE: 1" = 40'
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g-tS HERITAGE PRESERVATION-
COMMISSION I
AGENDA
Date: Tuesday, March 9, 2004 9:00 a.m.
Place: Warner Hutton House, 13777 Fruitvale Avenue
Type: Regular Meeting
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I. Routine Organization B L�e vS
A. Roll Call
B. Approval of minutes from 2/10/04 S`
C. Posting of Agenda - Pursuant to Government Code Section 54954.2, the
agenda was posted on Thursday March 4, 2004
D. Oral & Written Communication - Any member of the public may address the
Commission about any matter not on the agenda for this meeting for up to
three minutes. Commissioners may not comment on the matter but may choose
to place the topic on a future agenda.
II. Old Business <" 2- � 5 Esc �M aD
A. Grant for Historic Park Status �SCJ
4 Decide who will attend the Historic National Conference
sus pdate status of Mills Act Contract 'kS< wi
0`SL Update on Sam Cloud House e/� "- t �X C" C� � v
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III. N,�e Business �,� gip/ l S � (So�9 r; s c J ss LQ b� ��
�. Name park trail
...R' Discuss results of joint meeting with City Council 0t&Wss v
Placing brass plaques on historic houses—
ti��b D. Prepare HPC Work Plan to be approved by City Council with proposed
t budget
���J E. Review current budget and budget for next year
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Items to be placed on the next
V. Pending Items
Review list of
` B Retreat
VI.
C. Historic Calendar
D. Adopt a Tree Prol
E. Historic Preserval
Adjournment
9:00 a.m. Tuesday M
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ith structures 0 years and over in age.
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9, 2004, W er Hutton House, 13777 Fruitvale Ave
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In compliance with the Americans with Disabilities Act, if you are a disabled person and
you need a disability- related modification or accommodation to participate in this
meeting, please contact the City Clerk's Office at 408.868.1269 or ctclerka- saratoga.ca.us
Requests must be made as early as possible and at least one full business day before the
start of the meeting.
Certificate of Posting of Agenda:
I, John F. Livingstone, Associate Planner for the City of Saratoga, declare that the
foregoing agenda for the meeting of the Heritage Preservation Commission of the City of
Saratoga was posted on March 4, 2004 at the office of the City of Saratoga, 13777
Fruitvale Ave., Saratoga, CA 95070 and was available for public review at that location.
The agenda is also available on the City's website at www.saratoga.ca.us.
Signed this 4h day of March 2004 at Saratoga, California.
John F. Livingstone, AICP
Associate Planner
868.1231
City of Saratoga
HERITAGE PRESERVATION
COMMISSION
MINUTES
Date: Tuesday, February 10, 2004 8:30 a.m.
Place: Warner Hutton House, 13777 Fruitvale Avenue
Type: Regular Meeting
The HPC will meet at 8:30 for site visits for items III. A, B and C. Please meet in the
front parking lot by the Warner Hutton House and staff will provide transportation to
the sites.
I. Routine Organization
A. Roll Call: PRESENT — Ballingall, Conrado, Koepernik, Peck, Bailey.
ABSENT - Lowdermilk, GUESTS — Erna Jackman, Jill Hunter, Beth Wyman.
B. Approval of minutes 'from 1/13/04 — Approved 5 -0 with the correction to add
Mat Novakavich as a guest.
C. Posting of Agenda — Pursuant to Government Code Section 54954.2, the
agenda was posted on Thursday February 5, 2004
D. Oral & Written Communication - Any member of the public may address the
Commission about any matter not on the agenda for this meeting for up to
three minutes. Commissioners may not comment on the matter but may choose
to place the topic on a future agenda. - None
II. Old Business
A. Village Historic District Update — Recommended by CC to have businesses
apply for the district themselves.
B. Grant for Historic Park Presentation Preparation — Item discussed and
continued to a special meeting February 17`h at 9:00am.
III. New Business
A. Review proposed addition to potential historic structure at 14601 Aloha
Avenue built in 1941. —1 ' tem cancelled by the applicant.
B. Review proposed additio to' potential historic structure at 12239 Titus built in
1880. Proposed addition approved 5 -0 with the condition that the windows be
double hung and the materials match existing subject to staff approval.
C. Review proposed addition to potential historic structure at 20431 Williams
Avenue built in 1922. Proposed addition approved 5 -0 with the condition that
the materials match the existing house and the final construction plans come
back to the HPC for review.
D. Topics for the March 3, 2004 joint�HPC /CC meeting — Item discussed.
E. National Conference — Item discussed.
F. Mustard Walk Follow up — Item discussed.
G. Orchard Management Calendar
IV. Items to be placed on the next Agenda — Discuss joint meeting results, name of
the trail as requested by the Park and Recreation Commission Chair, and placing
brass plaques on historic homes.
V. Pending Items
A. Review list of properties with structures 50 years and over in age.
B. Retreat
C. Historic Calendar
D. Adopt a Tree Program for the Heritage Orchard
E. Mills Act Contract
F. Historic Preservation Data Base
VI. Adjournment
9:00 a.m. Tuesday March 9, 2004, Warner Hutton House, 13777 Fruitvale
Avenue
HPC BUDGET
+$1,500 FUNDED
-$100 California Historic Preservation Foundation Membership
-$120 Art Works, to update dates on banner and two additional dates for next time
- $202.21 Mustard Walk food and supplies
464.72 Mustard Walk food and supplies
Total $486.93 expended
Total amount left $1,013.07
City Manager's Office
13777 Fruitvale Ave.
Saratoga, CA 945050
Tel: 408/868 -1215
fax: 408/867 -8559
Memo
To:
Staff Commission Liaisons
Cc:
City Council, City Manager
From:
Lorie, Cathleen and Tom
Date:
February 20, 2004
Re:
Meeting Follow up
Just so everyone is clear about the outcome from last week's meeting, here's a summary:
■ Work Plan. For this year, Commissions should put together a work plan based on their
goals and provide a copy to Cathleen by April 21. If any portion of the work plan involves
funding, a cost estimate should be included.
She and I will package them together to take to Council at the May 5 meeting. Commission
chairs and staff should plan to attend the meeting. Council will review and approve all or
part of the work plans, and any approved budget requests will be incorporated into the
budget for 2004 -05.
Next year and going forward, Commissions should have their work plans ready by
February for presentation to Council at the first meeting in March 2005.
This process applies to all Commissions except the Youth Commission.
• Chair Elections. Chair and Vice Chair elections can remain on the same schedule as now.
(Thanks to everyone for your feedback at the meeting.)
• Minutes Format. Minutes become action minutes only effective now. Refer to the
sample Cathleen gave you or ask one of us for help if you are uncertain. Email the
approved minutes to Council. Please keep in mind that the format may evolve over the next
few months.
• Commission/Council Relations. Council is working on adding material to the
Commissioners' Handbook that clarifies the relationship between them and Commissions,
as well as Council expectations about Commission responsibilities. Council Commission
liaison assignments will not continue beyond July 1, 2004. In addition, the trend is toward
moving Commissions back to their mission as advisory policy bodies and away from
sponsoring events, volunteering and fundraising. Right now the handbook is scheduled to
go to Council for consideration on May 5 —at the same meeting as the work plans.
■ Commission Budget. Continue to submit to me a request for funds for Commission
training, memberships, conferences, retreat food, business cards, office supplies, etc., for
next year as we've done in past years. Any project -type funding must be included in their
work plan and be specifically approved by Council.
Questions? Just ask one of us. Thanks.
• Page 2
City Council - HPC Joint Meeting - March 3, 2004
March 2003 — February 2004
Accomplishments:
Site Visits & Review of 15 Historic Home Projects
Heritage Orchard Oversight & Recommendations
Heritage Resource & Mills Act Criteria Review with City Council
Historic Criteria Training Session with Planning Commission
Austin Way Heritage Lane - Design & Installation of Sign
McWilliams House & Book -Go -Round Restoration Recommendations
Historic Park Master Plan Development & Review
Historic Park Grant Application & Presentation to County
Joint Meeting with Historic Foundation regarding Village
Historic District Boundary Recommendations for Village
Heritage Orchard Information Booth at Library Grand Reopening
Historic Calendar Design & Sales
3rd Annual Mustard Walk
March 2004 — February 2005
On -Going Activities:
Heritage Resource Project Reviews
Heritage Resource List Management
Historic Park Restoration (McWilliams House & Surrounding Site)
Heritage Orchard Oversight
Mills Act Contract Approval
Historic Homes Plaques
Qualify up to 3 homes for Mills Act
On -Going Community Education Programs:
Adopt -a -Tree Program
Mustard Walk
Historic Calendars
Requested Support:
HPC Training
Fill Commission Vacancies
Summary of the Joint meeting with the HPC and
City Council March 3, 2004.
Investigate the significance of State Historic Landmark #435 for
the City of Saratoga.
Designate more landmarks and Historic lanes such as Oak Street
and Horseshoe Lane.
Investigate Landmark status of Heritage Orchard and it's
renaming.
Investigate standards for historic signs.
Received confirmation regarding HPC ability to maintain and
update Heritage Resource Inventory.
The HPC was commended for promoting the preservation of the
City of Saratoga's historic recourses through the annual Mustard
Walk with the recommendation to continue the annual Mustard
Walk next year.
Kant Part
Drane Wilkinson, NAPC Program Coordinator
Local preservation commissions throughout the United States are, or soon will be, grap-
pling with how to deal with significant resources that do not meet the fifty -year rule. These
resources may be 1950s and 1960s era infill scattered throughout an existing district,
largely extant collections of post -war residential developments, "landmark" buildings by
renowned architects, or some combination of the three. While a local government's ten-
dency may be to ignore these resources, to not designate them or to not subject them to
the same stringent design review as older properties, there is also a growing recognition
that they are representative of their time in history and worthy of protection. But how
should commissions deal with the challenge of recent past resources?
If a commission does not prevent the "earliering -up" of post -war buildings and allows an
owner to make a resource more architecturally compatible with the older buildings around
it, the commission may be opening itself to accusations of helping create a false sense of
history. Conversely, if a commission does not allow these alterations and protects the
buildings distinctive nature, it may be opening itself to accusations of failing.to protect and
enhance the districts' historic character.
Increasingly, commissions are also faced with questions of how or whether to protect
extant districts of post -war resources like 1950s subdivisions. These districts may not fit
the common notion of "historic," but they do have their own distinct feel. The time imme-
diately after World War II represents one of the largest building booms in the history of the
United States, during which time new styles, construction methods and materials were
being utilized. If designated, these districts present the commission with the standard raft
of questions- where to draw district boundaries, when to permit demolition, how to deter-
mine infill compatibility, what treatments are appropriate, etc.
Post -war building materials also present challenges. Many construction materials used in
these resources have proved to be unstable, like some kinds of fiberglass, or potentially
hazardous like asbestos. To what degree is it acceptable (or even feasible) for a commis-
sion to require a property owner to replace them with like or visually similar materials?
Awareness of the importance /value of recent past resources is growing. Recent years
have seen the formation of the Recent Past Preservation .Network (RPPN) and
Documentation and Conservation of buildings, sites and neighborhoods of the Modern
Movement (DOCOMOMO). Recent past districts and individual buildings are increasingly
being added to the National Register of Historic Places; and some cities have begun to
include post -war resources in their architectural surveys. Whether for good or ill, local
preservation commissions are next in line to address the issue and should be ready to
consider the recent past.
NAPC produced an issue of the Alliance Review on the recent past in 2001, however pro-
fessionals are still learning how to deal with these issues. The National Park Service
recently published a brochure on the subject and has added a page to their Web site
vcusing on preservation of recent resources. We view this as a positive step toward stan-
.ardization of the vocabulary and the practices of preserving the recent past. This issue
of the Alliance Review asks three preservationists to discuss their views on the subject.
In additon, Cory Jensen's typology of post -war residential buildings answers many ques-
tions surrounding these often confusing house types. Enjoy!
TAR Jan /Fab 2004 3
Rcmrt Part
Arapahoe Acres on tour,
October, 2003
National Preservation
Conference, Denver, CO.
"Maybe if people
started to listen,
history would
stop repeating
itself."
-Lily Tomlin
A.
1957 building plan
"New Trends in Selected Homes,"
Home Building Plan Service, 1957
[Portland, OR]
LISTENING TO LILY
WHY WE SHOULD PRESERVE THE RECENT PAST NOW
George Kramer, Kramer & Company, Ashland, Oregon
"You want to preserve what ?" "You think that is historic ?" Both are questions that most
commissions and review boards have heard at some point. The nature of the designation
of historically significant properties often involves decisions that those unfamiliar with
preservation find, shall we say, puzzling. This isn't new. It wasn't that long ago that efforts
to save Queen Annes or bungalows were met with exasperation and eye-
rolling by developers, a response that was all- too - frequently shared by
the public. This was especially true when preservation moved beyond
Colonial and pioneer -era structures. Today, though, preservation has
proven itself an important economic revitalization tool and more and
more cities and neighborhoods realize that their history, physical appear-
ance, and character are important elements in their success. There
remains little dispute about the general value of preserving pre -WWII
structures. Designation battles, while still an issue, are less frequent and
most Americans view preservation as worthwhile, or at least worth sed-
�q rte" ously considering.
rx That can't always be said, however, for post -WWII architecture, particu-
larly residential buildings, and that bias is unfortunately often reflected in
the opinions of historic commissioners. Sure, there are a few examples of "modernism"
that because of design or association with a particular architect, are recognized as signif-
icant. Arapahoe Acres, an exceptional post -war subdivision in Colorado, has been listed
on the National Register and Levittown, Pennsylvania, arguably the "first" post -war subdi-
vision, has been determined eligible for such listing. Several other communities, most
notably Phoenix, Arizona, have taken great strides in documenting post -war subdivisions
as historically significant but this is hardly typical. By and large post -war dwellings, par-
ticularly when located within a designated historic district of predominantly earlier designs,
are at best viewed as unfortunate intrusions. Commissions, and bungalow- or Victorian -
dwelling neighbors, when confronted with planning actions concerning such buildings,
may have difficulty considering them historic. In review they may encourage solutions that
destroy original character in favor of "compatibility." Such situations ignore the fact that
the post -war buildings themselves are more than 50 years old. And then there are entire
post -war subdivisions that can easily have hundreds of essentially identical resources. No
matter how intact, such areas don't readily mesh with the image the public, and
`'t � M many commissions, have of historic districts.
- Subdivisions? But they're just ranch houses and "builder specials!" They're
fly ugly and plain and they represent the beginnings of sprawl, the sworn enemy
' of historic preservation and vibrant downtowns! Have you even read James
�,. Kunstler? These subdivisions are just cookie - cutter architecture, devoid of
4 F9, -
individuality or design, and they were spewed out by the thousands! How can
any self- respecting Historic Review Board consider them historic? We'd be
. the laughingstocks of (fill in your community here)!
First, of course, preservation isn't about "pretty" architecture, although often
what we work to save is in fact phenomenally well designed. It is our job to
remember and educate the public that there are four criterion for listing on the National
Register, criterion that most local ordinances mimic, and that only one, Criterion "C," con-
cerns itself with the way a building looks. Criterion "A" recognizes significance through
4 NEWS from the NATIONAL ALLIANCE of PRESERVATION COMMISSIONS
i�
association with the broad themes of our history. I always take a certain
glee in pointing out that it is the first criterion.
Whatever you may think of post -war architecture in general, and of ,
ranch houses or subdivisions in particular, it is hard to deny that they are
associated with highly significant themes in our history. In many ways xt"
they're synonymous with the post -war period, when a two -car garage,
green lawn, and sectional sofa represented "success." Ranch houses
permeated the popular culture. It was a ranch house that Dick and
Laura Partridge came home to, where Dick could trip down the step into v
the living room. Ward Cleaver may have opened the door on a two -story
Colonial knock -off but Master and Jeannie were ranch house denizens.��'
So were Darrin and Samantha on Bewitched, complete with nosy neighbors, and the
Brady Bunch (remember, Mike Brady was an architect!) Hundreds of other television
shows, motion pictures, and novels have used ranch homes and suburbia as important
elements. Ranch houses and the architecture of the 1950s and 1960s were "cool," and
are becoming so again, if they aren't already. There is a strong market in "retro appli-
ances"' both newly built in colors like "Harvest Gold" and "Avocado" as well as restored
40 -year old units.2 Companies that specialize in reproduction lighting are rushing 1950s
and 1960s "Atomic Age" fixtures into production as more and more people begin to restore
and rehabilitate post -war homes. In recent years Hollywood has exploited the sameness
of subdivision living in movies from Edward Scissorhands and Pleasantville to Blast From
the Past.
The snobbish dismissal of whole classes of resources based on date or style is hardly
new. In the 1950s a Victorian was what you lived in if you couldn't afford a place in the
suburbs with a barbeque. Victorians had stairs, for goodness sake, and we're not talking
a single step into a sunken living room. They had incredibly tall ceilings (expensive to
heat), narrow windows (too dark), and all that outdated fussy trim (who will do the dust-
ing?). Twenty years later once -dreary Victorians were back in fashion but Craftsmans and
bungalows were still "squat," plain and lacking 'historic' detail. This pattern of serial dis-
missal, followed by appreciation, continued as Art Deco and Streamlined Modern
designs have come to be recognized. Aided by This Old House and cable television an
entire industry has been built around Craftsman and bungalow architecture, including
upscale "neo- C rafts man" subdivisions. In each case, be they Victorians, bungalows or
Art Deco, some of the best examples of each type were razed or remuddled before
decision - makers and the public cared enough to save them. We may not like the fact
that people tore down wonderful nineteenth century buildings to build split - levels 50
years ago but the fact of the matter is that they did. And they were usually congratu-
lated for it, just as were those who tore down vernacular dwellings to built the Queen
Annes and bungalows we now celebrate. In reality, post -war architecture, well -done, is
just as interesting from a design standpoint as anything else. It's just newer.
The comedian Lily Tomlin once quipped that "Maybe if people started to listen, history
would stop repeating itself." Preservation's history includes the loss of countless exam-
ples of particular architectural styles or types because few recognized their value until it
was too late. As a result, much of preservation can be cynically viewed as "saving the best
of what is left." Historic review bodies across the nation are now in a position to allow that
cycle to repeat or to listen, and learn from our history by pro - actively identifying and, where
appropriate, designating our best post -war architecture as significant.
ReaW Part
Brady Bunch house
http://www. seeing - stars. com/
ImagePages/BradyBunchHouse
Photo. shtml
Harvest Gold Kitchen
American Olean tile catalog
TAR JaxlFcb 2004 5
Decent Part
This will not be easy. Many commissions have worked hard to establish credibility and
are finally integrated into local land use planning process, shedding the mantle of "hys-
terical commissions" that so plagued preservation only a short while ago. I've sat on a
commission and I know the uncomfortable feeling of leading a charge to save a building
that few others value. Planting our flag in a 1960s subdivision of ranch houses or an early
concrete block and glass auto dealership won't be easy but it is clear that these resources
will, as have all other resource types before them, eventually gain general acceptance as
significant resources of their time. That is, at least, if they survive.
Few eras in American history have so changed the way our nation lived, traveled, and
worked as the years following World War ll. Buildings and neighborhoods that effective-
ly relate the styles and character of that period are tied to that change, and in many cases
will be significant and worth preserving simply because of that association. In a recent
- National Register Bulletin, David Ames and Linda
McClelland wrote "As the post -war suburbs approach
50 years of age, they are being included in local sur-
veys .... The number eligible for listing in the National
Register is likely to increase dramatically, presenting
1= a major challenge to decision makers and preserva-
tion planners." 3
So. Does your town have neighborhoods or buildings
that remain substantially intact from the post -WWII
period? Are you ignoring them or worse? Historic
- y ` commissions that have such structures should begin
� ti jr ♦. �i�f�t A i _ =mil t_� _
the process of evaluating and yes, even designating
9
– them as historic now, while as many examples as
—�� possible remain. This will require substantial public
-� education about why they are worthy of designation,
- µ ' :N wh the can and should be mentioned in the same
/ Y Y
breath as a Queen Anne or Craftsman and, yes, why
they should be valued. Preserving the recent past
e offers a huge opportunity to teach the preservation
ethic and educate a whole new segment of the com-
From: Better Homes and Gardens munity. This time, let's listen to Lily and save the best
Guide to Home Repair, 1957 that we have, rather than the best of what's left.
1 See Silverman, Rachel Emma. Built to Last: Why Retro Fridges Are Hot Among Appliance Buffs. (Wall Street Journal), 20-
Sep -2002.
2 It is interesting to me that generally valued old things are called "vintage" where old things that are valued by a minority, or
are from the grey area that separates historic from old, are dubbed as "retro."
3 Ames, David L. and McClelland, Linda Flint. National Register Bulletin - Historic Residential Suburbs. (USDI /NPS,
September 20023, pg. 3.
6 NEWS from the NATIONAL ALLIANCE of PRESERVATION COMMISSIONS
John Livingstone
From: baileywick @att.net
lent: Thursday, February 19, 2004 11:37 PM
To: willys peck; thomas lowdermilk; paul conrado; phylis ballingall
Cc: beth wyman; ann waltonsmith; bob louden; John Livingstone; april halperstand; stan bogosian
Subject: Grant Presentation
Dear HPCers:
I wish to add my thanks to everyone for attending tonight's session with the
County. Paul's presentation was first rate and appeared to be very well received
by the Commission. Added comments by Wilys struck just the right note. And
having all of us there, including the Mayor (thanks Ann!) was a big plus. The
biggest thanks goes to Phylis. She wrote the qualifying application and worked
hard on getting all the background info we needed to best position ourselves.
Well done!
For those not able to attend, here's the competition in order of tonight's
presentations. The organization requesting grant dollars is not listed, just
their locations.
Sunnyvale:build Murphy House replica at Orchard Park
San Jose:restore two statutes in St. James Park
Saratoga:restoration work at Hakone Gardens
San Jose:restore interior of Andrew P. Hill House
San Jose:install windmill & water tank at Emma Prusch Farm
Mountain View:build water tank at Rengstorff House
Saratoga:repair pergola at Montalvo
San Jose:construct trolley barn
Campbell:repair roof of Ainsley House museum
SC County:restore barn at Bernal Ranch
Palo Alto:restore garden at William's House
Available funds total $511,132. We'll know the outcome when it's announced at their next
meeting March 18th.
Pat Bailey
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